Showing posts with label Halls. Show all posts
Showing posts with label Halls. Show all posts

Queen Elizabeth Hall

World > United Kingdom > England > London > Lambeth > Queen Elizabeth Hall

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Location: Belvedere Road, London, England, United Kingdom.
Phone: +44 20 7960 4200 

Queen Elizabeth Hall:
The Queen Elizabeth Hall (QEH) is a music venue on the South Bank in London, United Kingdom that hosts daily classical, jazz, and avant-garde music and dance performances. The QEH forms part of Southbank Centre arts complex and stands alongside the Royal Festival Hall, which was built for the Festival of Britain of 1951, and the Hayward Gallery. It stands on the former site of a Shot Tower, built as part of a lead works in 1826 and retained for the Festival of Britain.

History of Queen Elizabeth Hall:
The QEH has over 900 seats and the Purcell Room in the same building has 360 seats. These two auditoriums were built together by Higgs and Hill[1] and opened in March 1967. They were designed as additions to the Southbank Centre arts complex, with The Hayward (opened in October 1968), by Hubert Bennett, head of the architects department of the Greater London Council, with Jack Whittle, F.G West and Geoffrey Horsefall.






Royal Festival Hall

World > United Kingdom > England > London > Lambeth > Royal Festival Hall

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Location: Southbank Centre, Belvedere Rd, London SE1 8XX, United Kingdom .
Phone: +44 844 875 0073

Royal Festival Hall:
The Royal Festival Hall is a 2,500-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge. It is a Grade I listed building, the first post-war building to become so protected (in 1981).[1] The London Philharmonic Orchestra, the Philharmonia Orchestra and the Orchestra of the Age of Enlightenment are resident in the hall.

The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1988.

History of Royal Festival Hall:
The Festival Hall project was led by London County Council’s chief architect, Robert Matthew, who gathered around him a young team of talented designers including Leslie Martin, who was eventually to lead the project with Edwin Williams and Peter Moro, along with the furniture designer Robin Day and his wife, the textile designer Lucienne Day. The acoustical consultant was Hope Bagenal, working with members of the Building Research Station; Henry Humphreys, Peter Parkin and William Allen.[5]  Martin was 39 at the time, and very taken with the Nordic activities of Alvar Aalto and Gunnar Asplund.

The figure who really drove the project forward was Herbert Morrison, the Labour Party politician. He it was who had insisted that Matthew had Martin as his deputy architect, treating the Festival Hall as a special project.

A 1948 sketch by Martin shows the design of the concert hall as the egg in a box. But the strength of the design was the arrangement of interior space: the central staircase has a ceremonial feel and moves elegantly through the different levels of light and air.

They were concerned that whilst the scale of the project demanded a monumental building, it should not ape the triumphal classicism of many earlier public buildings. The wide open foyers, with bars and restaurants, were intended to be meeting places for all: there were to be no separate bars for different classes of patron. Because these public spaces were built around the auditorium, they also had the effect of insulating the Hall from the noise of the adjacent railway bridge.





Royal Albert Hall


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Location: Royal Albert Hall, Kensington and Chelsea, London, England, United Kingdom. (000).
Phone: +44 20 7589 8212


Royal Albert Hall
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, in the City of Westminster, London, England, best known for holding the annual summer Proms concerts since 1941. It has a capacity (depending on configuration of the event) of up to 5272 seats, however standing areas and stage specifications can increase or decrease this. The Hall is a registered charity held in trust for the nation and receives no public or central and local government funding.
Since its opening by Queen Victoria in 1871, the world's leading artists from several performance genres have appeared on its stage and it has become one of the UK's most treasured and distinctive buildings. Each year it hosts more than 350 events including classical concerts, rock and pop, ballet and opera, sports, award ceremonies, school and community events, charity performances and banquets.
The Hall was originally supposed to have been called The Central Hall of Arts and Sciences, but the name was changed by Queen Victoria to Royal Albert Hall of Arts and Sciences when laying the foundation stone, as a dedication to her deceased husband and consort Prince Albert. It forms the practical part of a national memorial to the Prince Consort – the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the Hall by the road Kensington Gore.

History of Royal Albert Hall:
In 1851, the Great Exhibition was held in Hyde Park, London, for which the Crystal Palace was built. The exhibition was a great success and led Prince Albert, the Prince Consort, to propose the creation of a permanent series of facilities for the enlightenment of the public in the area, which came to be known as Albertopolis. The Exhibition's Royal Commission bought Gore House and its grounds (on which the Hall now stands) on the advice of the Prince. Progress on the scheme was slow and in 1861 Prince Albert died, without having seen his ideas come to fruition. However, a memorial was proposed for Hyde Park, with a Great Hall opposite.
The proposal was approved and the site was purchased with some of the profits from the Exhibition. Once the remaining funds had been raised, in April 1867 Queen Victoria signed the Royal Charter of the Corporation of the Hall of Arts and Sciences which was to operate the Hall and on 20 May, laid the foundation stone. The Hall was designed by civil engineers Captain Francis Fowke and Major-General Henry Y.D. Scott of the Royal Engineers and built by Lucas Brothers. The designers were heavily influenced by ancient amphitheatres, but had also been exposed to the ideas of Gottfried Semper while he was working at the South Kensington Museum. The recently opened Cirque d'Hiver in Paris was seen in the contemporary press as the design to outdo. The Hall was constructed mainly of Fareham Red brick, with terra cotta block decoration made by Gibbs and Canning Limited of Tamworth. The dome (designed by Rowland Mason Ordish) on top was made of wrought iron and glazed. There was a trial assembly made of the iron framework of the dome in Manchester, then it was taken apart again and transported to London via horse and cart. When the time came for the supporting structure to be removed from the dome after re-assembly in situ, only volunteers remained on site in case the structure dropped. It did drop – but only by five-sixteenths of an inch. The Hall was scheduled to be completed by Christmas Day 1870 and the Queen visited a few weeks beforehand to inspect.
The official opening ceremony of the Hall was on 29 March 1871. A welcoming speech was given by Edward, the Prince of Wales; Queen Victoria was too overcome to speak although she did comment that it reminded her of the British constitution.






Methodist Central Hall

World > United Kingdom > England > London > City of Westminster > Methodist Central Hall

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Location: Methodist Central Hall, City of Westminster, London, United Kingdom (51°3000N 0°0748W)

Methodist Central Hall:  
Methodist Central Hall


The Methodist Central Hall Westminster (also known as Central Hall Westminster, or simply Methodist Central Hall) is a multi-purpose venue and tourist attraction in City of Westminster, London. It serves primarily as a Methodist church and a conference centre, but also as an art gallery and an office building (formerly as the headquarters of the Methodist Church of Great Britain until 2000). It contains twenty-two conference, meetings and seminar rooms, the largest being the Great Hall.
Central Hall occupies the corner of Tothill Street and Storeys Gate just off Victoria Street in London, near the junction with The Sanctuary next to the Queen Elizabeth II Conference Centre and facing Westminster Abbey.

History of Methodist Central Hall:
Central Hall was erected to mark the centenary of John Wesley's death. It was built in 1905-11 on the site of the Royal Aquarium, Music Hall and Imperial Theatre, an entertainment complex that operated with varying success from 1876 to 1903.
Central Hall was funded between 1898 and 1908 by the "Wesleyan Methodist Twentieth Century Fund" (or the "Million Guinea Fund", as it became more commonly known), whose aim was to raise one million guineas from one million Methodists. The fund closed in 1904 having raised 1,024,501 guineas (£1,075,727). Central Hall was to act not only as a church, but to be of "great service for conferences on religious, educational, scientific, philanthropic and social questions".
Central Hall hosted the first meeting of the United Nations General Assembly in 1946. In return for the use of the hall, the Assembly voted to fund the repainting of the walls of the church in a light blue – the paint is still there, albeit marginally cracked and peeling. At the time it was being used by the UN General Assembly, the congregation relocated to the Coliseum Theatre.
It has been regularly used for political rallies—famous speakers have included Mahatma Gandhi, Martin Luther King, Jr. and Winston Churchill. In September 1972 the Conservative Monday Club held a much publicised and packed "Halt Immigration Now!" public meeting in the main hall, addressed by several prominent speakers including Members of Parliament Ronald Bell, Q.C., John Biggs-Davison, Harold Soref, and John Stokes. and continued their use of the building until 1991 when they held two Seminars there.
In 1968 it hosted the first public performance of Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat[4] in a concert that also included his father (organist William Lloyd Webber who was Musical Director at Central Hall), his brother (cellist Julian Lloyd Webber) and pianist John Lill.
The Football World Cup trophy was on display at Central Hall in early 1966 in preparation for the tournament being held in England that summer. However, it was stolen from the hall on 20 March 1966. It was recovered seven days later in South London but the thief was never caught. England went on to win the trophy four months later.
It is frequently used for public enquiries, including those into the Ladbroke Grove rail crash, the sinking of the Marchioness pleasure boat, and the Bloody Sunday incident in Northern Ireland.
In 2005 Central Hall controversially applied for a license to sell alcohol in its cafe and conference venues. As the Methodist Church has traditionally promoted abstinence and usually forbids consumption of alcohol on church premises, many Methodists argued that the application was in defiance of Church rules and a written objection was compiled.








Regent Hall


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Location: Regent Hall, City of Westminster, London, United Kingdom


Regent Hall:  
Regent Hall is to make disciples who glorify God by their total commitment to God and God's purpose, which is to bring people into a saving knowledge of Jesus Christ and into active membership of His family. We will offer Christ's love unconditionally to all.

History of Regent Hall:
In the early 1880s, The Salvation Army was without a dedicated place of worship in London’s West End, so when the Princess Skating Rink on Oxford Street became vacant, General William Booth (the founder of the Salvation Army) bought the lease. Following renovations, the Regent Hall Corps (number 258) - thereafter affectionately known as the Rink - was opened on 18 March 1882. One newspaper described the opening night: “The hall was well supplied with illumination; behind the gilded gates of the entrance row, gas jets burn with a seductive glare, enough to make the gin palaces look to their laurels.”
The Founder was accompanied by his wife – Catherine - who presented the Corps flag to Captain William Baugh, the first commanding officer. Present in the congregation was seven-year-old Herbert (Bert) Twitchin, who would later serve as Regent Hall deputy bandmaster for 25 years and bandmaster for another 37. At first there were four other locations, later incorporated in the main Corps. The band would also occasionally visit an outpost at Edgware, making the 12-mile journey on foot.
Regent Hall’s open-air work started in Hyde Park. The Skeleton Army was very active at that time – started up in opposition to the Salvation Army’s work - and Bandmaster Blowers, the bandmaster of the day, would sometimes be left guarding instruments while bandsmen protected the soldiery and the flag.

THE EARLY 20th CENTURY
The Corps grew significantly during the early part of the 20th century.  At one stage, Sunday meetings were held in an old music hall while extensive alterations to the Corps buildings were carried out. 

THE FIRST WORLD WAR
Worship services continued throughout World War 1, and the Corps band played an active role in supporting the military by playing at military establishments and escorting troops to and from embarkation points. On one occasion, when a march was halted by a severe air raid, it eventually continued through Whitehall at five o’clock in the morning.

Following the cessation of hostilities, the Corps thrived despite the 1920s depression. By the late 1930s, Salvation meetings were attracting congregations of between 700 to1 000 worshippers.

THE SECOND WORLD WAR
The Corps programmes were maintained during the war, although this often required great resourcefulness. Attendance was depleted because of war service and firms evacuating from London. Air raids often damaged the hall and the Corps officer’s quarters.

MOVING FORWARD IN THE 20TH CENTURY
The Regent Hall band first played in the forecourt of Buckingham Palace after the death of King Edward VII in 1910, and by royal command of Queen Alexandra. Following World War II, the band again played at Buckingham Palace, when Bandmaster Herbert Twitchin - later awarded an MBE in recognition of 64 years’ Salvation Army service - was presented to King George VI. In 1952 - the year of the corps’ 70th anniversary - Queen Elizabeth II invited the band to present a programme of music in the palace forecourt. Further invitations were extended in 1972 and 1977 (the Corps’ 90th and 95th anniversaries respectively).
In 1956, the first televised Salvation Army carol service was relayed from Regent Hall. The following year - the corps’ 75th anniversary - the band presented a radio broadcast on the BBC Home Service. An open-air service in Trafalgar Square in 1959 was filmed by the BBC for direct transmission to ten European countries.
THE WORK GOES ON
The Regent Hall Corps celebrated The Salvation Army’s Centenary in 1965 with marches through London’s West End and Soho and daily festivals. ‘Shut-in’ runs were started and Christmas dinners provided for disabled, lonely and homeless people.
Throughout the 1970s, Corps activities were frequently disrupted because of bomb explosions and false alarms. During such occasions, the Corps provided refreshment to grateful emergency services.
The Rink was open for 12 hours daily throughout the Salvation Army’s 1978 International Congress. Meetings included two sell-out performances of the musical Glory by the Corps’ drama group.

100 YEARS OF MINISTRY
Commissioner (later General) Eva Burrows launched the Rink’s Centenary year in 1982. New Corps colours were presented, and the band again played at Buckingham Palace. A Festival of Thanksgiving was held at Westminster Abbey, which included a cornet antiphony - Regent Hall - composed especially for the occasion.

ON TO THE NEXT MILLENIUM
 In 1983, the Corps was again forced to find other venues while essential renovations took place. The venue for Sunday meetings was the YWCA building in Great Russell Street and the Sunday evening march to the open-air meeting in Argyll Street continued (a distance of 1.4 miles each way).
 The band accompanied General Eva Burrows to Rome in Easter 1987. Following this very successful campaign, the corps raised £4,500 to help the Army’s work in Italy. Other trips abroad for the band included two visits to California, where the band participated in the annual New Year’s Day Rose Parade in Pasadena.

THE 21ST CENTURY
There have been many changes since the Rink first opened its doors. The Corps’ Sunday programme of three indoor and three outdoor meetings – in place for many years - has been replaced with a more relaxed format of two open-air meetings and two indoor meetings at 11am and 3pm.
There is community outreach at the Corps, with a coffee shop and bookshop which are open six days a week. There is a ‘drop-in’ centre next to the main hall, and a weekly Come and Meet Each Other (CAMEO) club and Home League, which are both open to all age groups. There is a large Sunday school, with different stages of learning for those from six months up to 15 years old. There is no need to be a member of the Salvation Army to attend any of these activities.
 The Rink’s public programme includes its annual Expressions concert. Held on the Thursday before the National Brass Band Championships, this event is for everybody and through use of music, audio visual aids and movement provides an avenue to showcase different facets of the Salvation Army’s musical expression in a modern setting.

THE FUTURE
 The Skeleton Army and two World Wars are long gone, but there are other problems to face. There remains the constant threat of terrorism; the challenges of coping with a multi-cultural society; modern-day indifference to Christ’s message of love; drugs; homelessness; loneliness; and depression. Then there is the huge issue of fitting a modern and diverse corps programme into a Victorian-era building. In 2009, a major redevelopment programme was placed on hold due to the global financial crisis. A renovation programme was initiated in its place to ensure that the building will continue to support the Salvation Army’s work in the West End.
 The Rink has a proud history and remains in a unique position as the only church on Oxford Street – a major world-renowned shopping precinct. Regardless, the Regent Hall Corps mission has not changed in its almost 130 year history – to save souls, grow saints and serve suffering humanity.
On the 12th of June 1941, Representatives of Great Britain, Canada, Australia, New Zealand, the Union of South Africa, and of the exiled governments of Belgium, Czechoslovakia, Greece, Luxembourg, Netherlands, Norway, Poland, and Yugoslavia, as well as General de Gaulle of France, met and signed the Declaration of St James's Palace which was the first of six treaties signed that established the United Nations and compose the Charter of the United Nations.

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Royal Albert Hall


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Location: Royal Albert Hall, City of Westminster, London, United Kingdom

Royal Albert Hall:  
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, in the City of
Royal Albert Hall
Westminster, London, England, best known for holding the annual summer Proms concerts since 1941. It has a capacity (depending on configuration of the event) of up to 5272 seats, however standing areas and stage specifications can increase or decrease this. The Hall is a registered charity held in trust for the nation and receives no public or central and local government funding. Since its opening by Queen Victoria in 1871, the world's leading artists from several performance genres have appeared on its stage and it has become one of the UK's most treasured and distinctive buildings. Each year it hosts more than 350 events including classical concerts, rock and pop, ballet and opera, sports, award ceremonies, school and community events, charity performances and banquets.
The Hall was originally supposed to have been called The Central Hall of Arts and Sciences, but the name was changed by Queen Victoria to Royal Albert Hall of Arts and Sciences when laying the foundation stone, as a dedication to her deceased husband and consort Prince Albert. It forms the practical part of a national memorial to the Prince Consort – the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the Hall by the road Kensington Gore.

History of Royal Albert Hall:
In 1851, the Great Exhibition was held in Hyde Park, London, for which the Crystal Palace was built. The exhibition was a great success and led Prince Albert, the Prince Consort, to propose the creation of a permanent series of facilities for the enlightenment of the public in the area, which came to be known as Albertopolis. The Exhibition's Royal Commission bought Gore House and its grounds (on which the Hall now stands) on the advice of the Prince. Progress on the scheme was slow and in 1861 Prince Albert died, without having seen his ideas come to fruition. However, a memorial was proposed for Hyde Park, with a Great Hall opposite.
The proposal was approved and the site was purchased with some of the profits from the Exhibition. Once the remaining funds had been raised, in April 1867 Queen Victoria signed the Royal Charter of the Corporation of the Hall of Arts and Sciences which was to operate the Hall and on 20 May, laid the foundation stone.[2] The Hall was designed by civil engineers Captain Francis Fowke and Major-General Henry Y.D. Scott of the Royal Engineers and built by Lucas Brothers. The designers were heavily influenced by ancient amphitheatres, but had also been exposed to the ideas of Gottfried Semper while he was working at the South Kensington Museum. The recently opened Cirque d'Hiver in Paris was seen in the contemporary press as the design to outdo. The Hall was constructed mainly of Fareham Red brick, with terra cotta block decoration made by Gibbs and Canning Limited of Tamworth. The dome (designed by Rowland Mason Ordish) on top was made of wrought iron and glazed. There was a trial assembly made of the iron framework of the dome in Manchester, then it was taken apart again and transported to London via horse and cart. When the time came for the supporting structure to be removed from the dome after re-assembly in situ, only volunteers remained on site in case the structure dropped. It did drop – but only by five-sixteenths of an inch. The Hall was scheduled to be completed by Christmas Day 1870 and the Queen visited a few weeks beforehand to inspect.
The official opening ceremony of the Hall was on 29 March 1871. A welcoming speech was given by Edward, the Prince of Wales; Queen Victoria was too overcome to speak although she did comment that it reminded her of the British constitution.
A concert followed, when the Hall's acoustic problems became immediately apparent. Engineers first attempted to solve the strong echo by suspending a canvas awning below the dome. This helped and also sheltered concertgoers from the sun, but the problem was not solved: it used to be jokingly said that the Hall was "the only place where a British composer could be sure of hearing his work twice".
Initially lit by gas, the Hall contained a special system where its thousands of gas jets were lit within ten seconds. Though it was demonstrated as early as 1873 in the Hall,[6] full electric lighting was not installed until 1888. During an early trial when a partial installation was made, one disgruntled patron wrote to The Times newspaper declaring it to be "a very ghastly and unpleasant innovation".
In 1936, the Hall was the scene of a giant rally celebrating the British Empire, the occasion being the centenary of Joseph Chamberlain's birth. In October 1942, the Hall suffered minor damage during World War II bombing but was left mostly untouched as German pilots used the distinctive structure as a landmark.
In 1949 the canvas awning was removed and replaced with fluted aluminium panels below the glass roof, in a new attempt to solve the echo; but the acoustics were not properly tackled until 1969 when a series of large fibreglass acoustic diffusing discs (commonly referred to as "mushrooms" or "flying saucers") was installed below the ceiling.........Wikipedia >>









Albert Memorial

World > United Kingdom > England > London > City of London > Albert Memorial

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Location: London, England
Coordinates: 51°3009N 0°1040W

Albert Memorial:
The Albert Memorial is situated in Kensington Gardens, London, England, directly to the north of the Royal Albert Hall. It was commissioned by Queen Victoria in memory of her beloved husband, Prince Albert who died of typhoid in 1861. The memorial was designed by Sir George Gilbert Scott in the Gothic Revival style. Opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially "seated" in 1875, the memorial consists of an ornate canopy or pavilion, in the style of a Gothic ciborium over the high 

altar of a church, containing a statue of the prince facing south. The memorial is 176 feet (54 m) tall, took over ten years to complete, and cost £120,000 (the equivalent of about £10,000,000 in 2010). The cost was met by public subscription.

History of Albert Memorial:
When Prince Albert died on 14 December 1861, at the age of 42, the thoughts of those in government and public life turned to the form and shape of a suitable memorial, with several possibilities, such as establishing a university or international scholarships, being mentioned. Queen Victoria, however, soon made it clear that she desired a memorial 'in the common sense of the word'. The initiative was taken by the Lord Mayor of London, William Cubitt, who, at a meeting on 14 January 1862, appointed a committee to raise funds for a design to be approved by the Queen. The control and future course of the project, though, moved away from Mansion House, and ended up being controlled by people close to the Queen, rather than the Mayor. Those who determined the overall direction from that point on were the Queen's secretary, General Charles Grey, and the keeper of the privy purse, Sir Charles Phipps. Later, following the deaths of Grey and Phipps, their roles were taken on by Sir Henry Ponsonby and Sir Thomas Biddulph. Eventually, a four-man steering committee was established, led by Sir Charles Lock Eastlake. Eastlake had overall control for the project until his death in 1865. An initial proposal for an obelisk memorial failed, and this was followed in May 1862 by the appointment of a seven-strong committee of architects. A range of designs were submitted and examined. Two of the designs (those by Philip Charles Hardwick and George Gilbert Scott) were passed to the Queen in February 1863 for a final decision to be made. Two months later, after lengthy deliberations and negotiations with the government over the costs of the memorial, Scott's design was formally approved in April 1863.......Wikipedia >>