Hayward Gallery

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Location: Waterloo Bridge, London, England, United Kingdom.

Website: http://www.southbankcentre.co.uk/venues/hayward-gallery

Phone: +44 20 7960 4200

Hayward:

The Hayward Gallery is an art gallery within the Southbank Centre, part of an area of major arts venues on the South Bank of the River Thames, in central London, England. It is sited adjacent to the other Southbank Centre buildings (the Royal Festival Hall and the Queen Elizabeth Hall/Purcell Room) and also the Royal National Theatre and British Film Institute. Following a rebranding of the South Bank Centre to Southbank Centre in early 2007, the Hayward Gallery was known as the Hayward until early 2011.

History of Hayward:

The Hayward Gallery was built by Higgs and Hill and opened on 9 July 1968. Its massing and extensive use of exposed concrete construction are typical of Brutalist architecture. The initial concept was designed, with the Queen Elizabeth Hall and Purcell Room, as an addition to the Southbank Centre arts complex by team leader Norman Engleback, assisted by Ron Herron and Warren Chalk, two members of the later founded group Archigram, of the Department of Architecture and Civic Design of the Greater London Council. Warren Chalk then developed the site plan and connective first floor walkways, while Ron Herron worked on the acoustics for the Queen Elizabeth Hall. Alan Waterhouse, then Dennis Crompton, worked on the designs for the Hayward. The building is named after Sir Isaac Hayward, a former leader of the London County Council, the GLC's predecessor. Joanna Drew was the founding Director and Ralph Rugoff is the current Director (as of mid-2006).

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Pump House Gallery

World > United Kingdom > England > London > Wandsworth > Pump House Gallery

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Location: Macduff Road, London, England, United Kingdom.

Website: http://pumphousegallery.org.uk/

Phone: +44 20 8871 7572

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Wilton Crescent

World > United Kingdom > England > London > Kensington and Chelsea > Wilton Crescent

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Location: Wilton Crescent, Kensington and Chelsea, London, England, United Kingdom. (51°30′02″N 0°09′20″W).

Wilton Crescent

Wilton Crescent is a wealthy community in Belgravia, London.

History of Wilton Crescent:

Wilton Crescent was created by Thomas Cundy II, the Grosvenor family Estate surveyor and was drawn up with the original 1821 Wyatt plan for Belgravia. It was named at the time of Thomas Egerton, 2nd Earl of Wilton, second son of Robert Grosvenor, 1st Marquess of Westminster on whose estate the road was built in 1825 by William Howard Seth-Smith.

In the 19th and 20th century it was home to many prominent British politicians, ambassadors and civil servants. Louis Mountbatten, 1st Earl Mountbatten of Burma (1900–1979) lived at 2 Wilton Crescent for many years. Today there is a blue plaque on the house marking it. Like much of Belgravia, Wilton Crescent is characterised by grand terraces with lavish white houses which are built in a crescent shape, many of them with stuccoed balconies, particularly on the southern part of the crescent. The houses to the north of the crescent are stone clad and five stories high and were refaced between 1908 and 1912. Most of the houses had originally been built in the stucco style but such houses became stone clad during this renovation period. Other houses today have black iron balconies.

Wilton Crescent lies east of Lowndes Square and Lowndes Street, to the northwest of Belgrave Square. It is accessed via Wilton Place which connects it to the main road in Knightsbridge. It is adjacent to Grosvenor Crescent to the east, which contains the Indonesian Embassy. Further to the east lies Buckingham Palace. The play Major Barbara is partly set at Lady Britomart's house in Wilton Crescent. Wilton Crescent in nearby Alderley Edge which is home to the Sue Morris School of Ballet. In 2007 Wilton Garden in the middle of the crescent won a bronze medal by the London Gardens Society.

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Saatchi Gallery

World > United Kingdom > England > London > Kensington and Chelsea > Saatchi Gallery

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Location: Saatchi Gallery, Kensington and Chelsea, London, England, United Kingdom. (51.4906°N 0.1589°W).

Website: http://www.saatchi-gallery.co.uk

Saatchi Gallery

The Saatchi Gallery is a London gallery for contemporary art, opened by Charles Saatchi in 1985 in order to exhibit his collection to the public. It has occupied different premises, first in North London, then the South Bank by the River Thames, and finally in Chelsea, its current location. Saatchi's collection -- and hence the gallery's shows -- has had distinct phases, starting with U.S. artists and minimalism, moving to the Damien Hirst-led Young British Artists, followed by shows purely of painting and then returning to contemporary art from America in USA Today at the Royal Academy in London. A 2008 exhibition of contemporary Chinese art formed the inaugural exhibition in the new venue for the gallery at the Duke of York's HQ.

The gallery has been a major influence on art in Britain since its opening. It has also had a history of media controversy, which it has courted, and has had extremes of critical reaction. Many artists shown at the gallery are unknown not only to the general public but also to the commercial art world: showing at the gallery has provided a springboard to launch careers.

History of Saatchi Gallery:

The Saatchi Gallery opened in 1985 in Boundary Road, St John's Wood, London in a disused paint factory of 30,000 square feet (2,800 m2). The first exhibition was held March—October 1985 featured many works by American minimalist Donald Judd, American abstract painters Brice Marden and Cy Twombly and American pop artist Andy Warhol. This was the first U.K. exhibition for Twombly and Marden.

These were followed throughout December 1985 – July 1986 by an exhibition of works by American sculptor John Chamberlain, American minimalists Dan Flavin, Sol LeWitt, Robert Ryman, Frank Stella, and Carl Andre. During September 1986 – July 1987, the gallery exhibited German artist Anselm Kiefer and American minimalist sculptor Richard Serra. The exhibited Serra sculptures were so large that the caretaker's flat adjoining the gallery was demolished to make room for them.

From September 1987 – January 1988, the Saatchi Gallery mounted two exhibitions entitled New York Art Now, featuring Jeff Koons, Robert Gober, Peter Halley, Haim Steinbach, Philip Taaffe and Caroll Dunham. This exhibition introduced these artists to the U.K. for the first time. The blend of minimalism and pop art influenced many young artists who would later form the Young British Artists (YBA) group.[citation needed]

April – October 1988 featured exhibited works by American figurative painter Leon Golub, German painter and photographer Sigmar Polke, and American Abstract Expressionist painter Philip Guston. During November 1988 – April 1989 a group show featured contemporary American artists, most prominently Eric Fischl. From April – October, the gallery hosted exhibitions of American minimalist Robert Mangold and American conceptual artist Bruce Nauman. From November 1989 – February 1990, a series of exhibitions featured School of London artists including Lucian Freud, Frank Auerbach, Leon Kossoff and Howard Hodgkin.

During January – July 1991, the gallery exhibited the work of American pop artist Richard Artschwager, American photographer Cindy Sherman, and British installation artist Richard Wilson. Wilson’s piece 20:50, a room entirely filled with oil, became a permanent installation at the Saatchi Gallery’s Boundary Road venue. September 1991 – February 1992 featured a group show, including American photographer Andres Serrano.

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National Portrait Gallery

World > United Kingdom > England > London > City of Westminster > National Portrait Gallery

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Location: National Portrait Gallery, City of Westminster, London, United Kingdom

Website: http://www.npg.org.uk

National Portrait Gallery:  

The National Portrait Gallery is an art gallery in London housing a collection of portraits of historically

Entrance to the National Portrait Gallery

important and famous British people. It was the first portrait gallery in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then. The National Portrait Gallery (NPG) also has three regional outposts at Beningbrough Hall, Bodelwyddan Castle and Montacute House. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport.

History of National Portrait Gallery:

The three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 5th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay (to Stanhope's left) and Thomas Carlyle (to Stanhope's right). It was Stanhope who, in 1846 as a Member of Parliament (MP), first proposed the idea of a National Portrait Gallery. It was not until his third attempt, in 1856, this time from the House of Lords, that the proposal was accepted. With Queen Victoria's approval, the House of Commons set aside a sum of £2000 to establish the gallery. As well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallery's first portrait. Carlyle became a trustee after the death of Ellesmere in 1857.

For the first 40 years, the gallery was housed in various locations in London. The first 13 years were spent at 29 Great George Street, Westminster. There, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the collection moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in those buildings, the collection was moved in 1885, this time to the Bethnal Green Museum. This location was ultimately unsuitable due to its distance from the West End, condensation and lack of waterproofing. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander. Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian. The government provided the new site, St Martin's Place, adjacent to the National Gallery, and £16,000. The buildings, faced in Portland stone, were constructed by Shillitoe & Son. Both the architect, Ewan Christian, and the gallery's first director, George Scharf, died shortly before the new building was completed. The gallery opened at its new location on 4 April 1896. The site has since been expanded twice. The first extension, in 1933, was funded by Lord Duveen, and resulted in the wing by architect Sir Richard Allison that runs along Orange Street.

In February 1909, a murder–suicide took place in a gallery known as the Arctic Room. In an apparently planned attack, John Tempest Dawson, aged 70, shot his 58 year–old wife, Nannie Caskie; Dawson shot her from behind with a revolver, then shot himself in the mouth, dying instantly. His wife died in hospital several hours later. Both were American nationals who had lived in Hove for around 10 years.[9] Evidence at the inquest suggested that Dawson, a wealthy and well–travelled man, was suffering from a Persecutory delusion. The incident came to public attention in 2010 when the Gallery's archive was put on-line as this included a personal account of the event by James Donald Milner, then the Assistant Director of the Gallery.........Wikipedia >>

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National Gallery

World > United Kingdom > England > London > City of Westminster > National Gallery

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The National Gallery

Location: National Gallery, City of Westminster, London, United Kingdom

Established: 1824

Coordinates: 51.5086°N 0.1283°W

Phone: +44 20 7747 2885

Website: http://www.nationalgallery.org.uk

National Gallery:  

The National Gallery is an art museum on Trafalgar Square in London. Founded in 1824, it houses a

collection of over 2,300 paintings dating from the mid-13th century to 1900.[a] The Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the public of the United Kingdom and entry to the main collection is free of charge. It is the fifth most visited art museum in the world, after the Musée du Louvre, the Metropolitan Museum of Art, the British Museum and Tate Modern.

Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, an insurance broker and patron of the arts, in 1824. After that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two thirds of the collection. The resulting collection is small in size, compared with many European national galleries, but encyclopaedic in scope; most major developments in Western painting "from Giotto to Cézanne" are represented with important works. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, but this is no longer the case.

The present building, the third to house the National Gallery, was designed by William Wilkins from 1832–8. Only the façade onto Trafalgar Square remains essentially unchanged from this time, as the building has been expanded piecemeal throughout its history. Wilkins's building was often criticised for its perceived aesthetic deficiencies and lack of space; the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi and Denise Scott Brown, is a notable example of Postmodernist architecture in Britain. The current Director of the National Gallery is Nicholas Penny.

History of National Gallery:

The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe. The Bavarian royal collection (now in the Alte Pinakothek, Munich) opened to the public in 1779, that of the Medici in Florence around 1789 (as the Uffizi Gallery), and the Museum Français at the Louvre was formed out of the former French royal collection in 1793. Great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereign's possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, when the descendants of Sir Robert Walpole put his collection up for sale. The MP John Wilkes argued for the government to buy this "invaluable treasure" and suggested that it be housed in "a noble gallery... to be built in the spacious garden of the British Museum" Nothing came of Wilkes's appeal and 20 years later the collection was bought in its entirety by Catherine the Great; it is now to be found in the State Hermitage Museum in St Petersburg.

A plan to acquire 150 paintings from the Orléans collection, which had been brought to London for sale in 1798, also failed, despite the interest of both the King and the Prime Minister, Pitt the Younger. The twenty-five paintings from that collection now in the Gallery, including "NG1", have arrived by a variety of routes. In 1799 the dealer Noel Desenfans offered a ready-made national collection to the British government; he and his partner Sir Francis Bourgeois had assembled it for the king of Poland, before the Third Partition in 1795 abolished Polish independence. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, on his death. The collection opened in Britain's first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The Scottish dealer William Buchanan and another collector, Joseph Count Truchsess, both formed art collections expressly as the basis for a future national collection, but their respective offers (made in the same year, 1803) were also declined.

Following the Walpole sale many artists, including James Barry and John Flaxman, had made renewed calls for the establishment of a National Gallery, arguing that a British school of painting could only flourish if it had access to the canon of European painting. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, attempted to address this situation. The members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some artists resented the Institution and saw it as a racket for the gentry to increase the sale prices of their Old Master paintings. One of the Institution's founding members, Sir George Beaumont, Bt, would eventually play a major role in the National Gallery's foundation by offering a gift of 16 paintings.

In 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London; his collection numbered 38 paintings, including works by Raphael and Hogarth's Marriage à-la-mode series. On 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumont's offer, which came with two conditions: that the government buy Angerstein's collection, and that a suitable building was to be found. The unexpected repayment of a war debt by Austria finally moved the government to buy Angerstein's collection, for £57,000......Wikipedia >>

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