Showing posts with label Theatres. Show all posts
Showing posts with label Theatres. Show all posts

Royal National Theatre

World > United Kingdom > England > London > Lambeth > Royal National Theatre

Google Street View of Royal National Theatre


You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map


Location: Upper Ground, London, England, United Kingdom.
Phone: +44 20 7452 3000

Royal National Theatre:
The Royal National Theatre (generally known as the National Theatre) in London is one of the United Kingdom's two most prominent publicly funded theatre companies, alongside the Royal Shakespeare Company. Internationally, it is known as the National Theatre of Great Britain.

From its foundation in 1963 until 1976, the company was based at the Old Vic theatre in Waterloo. The current building was designed by architects Sir Denys Lasdun and Peter Softley and structural engineers Flint & Neill and contains three stages, which opened individually between 1976 and 1977.[2] It is located next to the Thames in the South Bank area of central London. In addition to performances at the National Theatre building, the National Theatre company tours productions at theatres across the United Kingdom.

Since 1988, the theatre has been permitted to call itself the Royal National Theatre, but the full title is rarely used. The theatre presents a varied programme, including Shakespeare and other international classic drama; and new plays by contemporary playwrights. Each auditorium in the theatre can run up to three shows in repertoire, thus further widening the number of plays which can be put on during any one season.

In June 2009, the theatre began National Theatre Live (NT Live), a program of simulcasts of live productions to cinemas, first in the United Kingdom and then internationally. The program began with a production of Phèdre, starring Helen Mirren, which was screened live in 70 cinemas across the UK. NT Live productions have since been broadcast to over 700 venues in 22 countries around the world.

The NT had an annual turnover of approximately £54 million in 2008–09, of which earned income made up approximately 54% (34% from ticket sales, and 20% as revenue from the restaurants, bookshops, etc.). Support from Arts Council England and a number of smaller government grants provided 35% of income, and the remaining 11% came from a mixture of private support from companies, individuals, trusts and foundations.

History of Royal National Theatre:
In 1847, a critic using the pseudonym Dramaticus published a pamphlet[5] describing the parlous state of British theatre. Production of serious plays was restricted to the patent theatres, and new plays were subjected to censorship by the Lord Chamberlain's Office. At the same time, there was a burgeoning theatre sector featuring a diet of low melodrama and musical burlesque; but critics described British theatre as driven by commercialism and a 'star' system. There was a demand to commemorate serious theatre, with the "Shakespeare Committee" purchasing the playwright's birthplace for the nation demonstrating a recognition of the importance of 'serious drama'. The following year saw more pamphlets on a demand for a National Theatre from London publisher, Effingham William Wilson.[6] The situation continued, with a renewed call every decade for a National Theatre. Attention was aroused in 1879 when the Comédie-Française took a residency at the Gaiety Theatre, described in The Times as representing "the highest aristocracy of the theatre". The principal demands now coalesced around: a structure in the capital that would present "exemplary theatre"; that would form a permanent memorial to Shakespeare; a supported company that would represent the best of British acting; and a theatre school.

The Shakespeare Memorial Theatre was opened in Stratford upon Avon on 23 April 1879, with the New Shakespeare Company (now the Royal Shakespeare Company); and Herbert Beerbohm Tree founded an Academy of Dramatic Art at Her Majesty's Theatre in 1904. This still left the capital without a national theatre. A London Shakespeare League was founded in 1902 to develop a Shakespeare National Theatre and – with the impending tri-centenary in 1916 of his death – in 1913 purchased land for a theatre in Bloomsbury. This work was interrupted by World War I.

Finally, in 1948, the London County Council presented a site close to the Royal Festival Hall for the purpose, and a "National Theatre Act", offering financial support, was passed by Parliament in 1949.[8] Ten years after the foundation stone had been laid in 1951, the Government declared that the nation could not afford a National Theatre; in response the LCC offered to waive any rent and pay half the construction costs. Still, the Government tried to apply unacceptable conditions in order to save money; attempting to force the amalgamation of the existing publicly supported companies: the RSC, Sadler's Wells and Old Vic.

In July 1962, with agreements finally reached, a board was set up to supervise construction, and a separate board was constituted to run a National Theatre Company and lease the Old Vic theatre. The "National Theatre Company" opened on 22 October 1963 with Hamlet. The Company was to remain at the Old Vic until 1976, when construction of the Olivier was complete.






Theatre 503


Google Street View of Theatre 503


You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map


Location: Battersea Park Road, London, England, United Kingdom.
Phone: +44 20 7978 7040

Theatre 503:
Theatre503 is located at 503 Battersea Park Road in Battersea in the London Borough of Wandsworth, above the Latchmere pub. It is a performing arts venue which specialises in groundbreaking plays. Their programme combines new plays by new playwrights with "Establishing the Future by Igniting the Past" through their Second Look programme of work un-revived since the 1980s/'90s and Playwright Presents, in which well known playwrights such as Howard Brenton, Caryl Churchill and Timberlake Wertenbaker.

History of Theatre 503:
Theatre503 was originally founded in 1982 as an off-shoot of the Gate Theatre (London), and is a custom-built studio theatre. The opening production was a new adaptation of Fear and Loathing in Las Vegas, which proved so successful that the production transferred to the West End.

The original name of the theatre was linked with the pub downstairs, but in 2002, the theatre relaunched under Artistic Director Paul Higgins under its new name of Theatre503 as a home for new writing. In November 2006 Paul Robinson and Tim Roseman were appointed as artistic directors with the specific brief to develop the profile of the theatre, and the new theatre launched with the European Premiere of The Atheist.

Since 2002, the venue has seen the premiere of more than fifty new writers, including Dennis Kelly, Phil Porter, Duncan Macmillan and Rachel Wagstaff. It went on to win the Peter Brook Empty Space Award, was nominated for a Time Out Live Award in 2006, and won an Olivier Award in 2010 for its production of Katori Hall's The Mountaintop. Tim Roseman left Theatre503 in October 2012 and is now Artistic Director of PlayWriting Australia. Paul Robinson opened his 1st season as sole Artistic Director with 'Desolate Heaven', a new play by Ailís Ní Ríain.






Grace Theatre

World > United Kingdom > England > London > Wandsworth > Grace Theatre

Google Street View of Grace Theatre

You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map


Location: Battersea Park Road, London, England, United Kingdom.
Phone: +44 20 7978 7040





Royal Court Theatre


Google Street View of Royal Court Theatre

You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map

Location: Royal Court Theatre, Kensington and Chelsea, London, England, United Kingdom. (51.492583°N 0.156583°W).
Phone: +44 20 7565 5000


Royal Court Theatre
The Royal Court Theatre is a non-commercial theatre on Sloane Square, in the Royal Borough of Kensington and Chelsea, London. It is noted for its contributions to modern theatre. In 1956 it was acquired by and is home to a resident company, the English Stage Company.

History of Royal Court Theatre:
The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre.


Several of W. S. Gilbert's early plays were staged here, including Randall's Thumb, Creatures of Impulse (with music by Alberto Randegger), Great Expectations (adapted from the Dickens novel), and On Guard (all in 1871); The Happy Land (1873, with Gilbert Abbott à Beckett; Gilbert's most controversial play); The Wedding March, translated from Un Chapeau de Paille d'Italie by Eugène Marin Labiche (1873); The Blue-Legged Lady, translated from La Dame aux Jambes d'Azur by Labiche and Marc-Michel (1874); and Broken Hearts (1875). By 1878, management of the theatre was shared by John Hare and W. H. Kendal.

Further alterations were made in 1882 by Alexander Peebles, after which its capacity was 728 (including stalls and boxes, dress circle and balcony, amphitheatre, and gallery). After that, Arthur Cecil (who had joined the theatre's company in 1881) was co-manager of the theatre with John Clayton. Among other works, they produced a series of Arthur Wing Pinero's farces, including The Rector, The Magistrate (1885), The Schoolmistress (1886), and Dandy Dick (1887), among others. The theatre closed on 22 July 1887 and was demolished.






Gate Theatre


Google Street View of Gate Theatre


You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map

Location: Gate Theatre, Kensington and Chelsea, London, England, United Kingdom. (51.5094°N 0.1975°W).

Gate Theatre
Originally a studio near Covent Garden, the Gate Theatre was opened in 1925 and quickly established a reputation for presenting British premieres of foreign classics and contemporary work, including plays by August Strindberg, Eugene O'Neill and later John Steinbeck and Jean Cocteau. With actors such as Robert Morley, Flora Robson and Cyril Cusack, the Gate was an important fixture in British Theatre, until it was destroyed by bombing in the Blitz in March 1941.

History of Gate Theatre:
The Gate was re-established in 1979 at its current premises in Notting Hill. The smallest “off-West End” theatre in London, the Gate is an in-house producing venue dedicated to international dramatic literature in translation.

Some of the actors and practitioners to have worked at the Gate include Stephen Daldry, Jude Law, Rachael Weisz, Alex Kingston, Kathy Burke, Sam Shepherd, sir Peter Hall, Sarah Kane, Katie Mitchell, Nancy Meckler, Mick Gordon, and Ian Rickson.






Finborough Theatre


Google Street View of Finborough Theatre

You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map

Location: Finborough Theatre, Kensington and Chelsea, London, England, United Kingdom. (51.486111°N 0.189444°W).

Finborough Theatre
The Finborough Theatre is a fifty seat theatre in the Earls Court area of London (part of the Royal Borough of Kensington and Chelsea), which presents new British writing, UK and premieres of new plays, primarily from the English speaking world including North America, Canada, Ireland, Scotland including work in the Scots language, music theatre, and rarely seen rediscovered 19th and 20th century plays.

History of Finborough Theatre:
Productions since 2000 have included the UK premières of Brad Fraser’s Wolfboy; Lanford Wilson’s Sympathetic Magic; Tennessee Williams’ Something Cloudy, Something Clear; and Frank McGuinness’ Gates of Gold with William Gaunt and the late John Bennett in his last stage role which transferred to the West End; the London première of Sonja Linden’s I Have Before Me a Remarkable Document Given to Me by a Young Lady from Rwanda; the specially commissioned adaptation of W.H. Davies’ Young Emma by Laura Wade and directed by Tamara Harvey; the first London revival for more than 40 years of Rolf Hochhuth’s Soldiers; Keith Dewhurst's Lark Rise to Candleford, performed in promenade and in repertoire; the Great War drama Red Night, and five first plays by new writers: Jason Hall's Eyes Catch Fire; Chris Dunkley’s Mirita; Dameon Garnett's Break Away , Simon Vinnicombe's Year 10, Joy Wilkinson's Fair which transferred to the West End; Waterloo Day with Robert Lang; Sarah Phelps’ Modern Dance for Beginners, subsequently produced at the Soho Theatre; Carolyn Scott-Jeffs' comedy Out in the Garden, which transferred to the Assembly Rooms, Edinburgh; the London premiere of Larry Kramer's The Destiny of Me ; The Women’s War – an evening of original suffragette plays; Steve Hennessy’s Lullabies of Broadmoor (about the Finborough Road murder of 1922); the Victorian era comedy Masks and Faces; Etta Jenks with Clarke Peters and Daniela Nardini; The Gigli Concert[14] with Niall Buggy, Catherine Cusack and Paul McGann which transferred to the Assembly Rooms, Edinburgh); Hortensia and the Museum of Dreams with Linda Bassett, Albert's Boy by James Graham starring Victor Spinetti, Peter Oswald’s Lucifer Saved with Mark Rylance, Blackwater Angel, the UK debut of Irish playwright Jim Nolan with Sean Campion, the first London revival for over seventy years of Loyalties by John Galsworthy, the world premiere of Plague Over England[20] by Nicholas de Jongh which subsequently transferred to the West End at the Duchess Theatre, the first revival of Hangover Square, adapted by Fidelis Morgan from the novel by Patrick Hamilton, the UK premiere of the musical Ordinary Days by Adam Gwon and a season of plays by William Saroyan.






Chelsea Theatre


Google Street View of Chelsea Theatre


You can drag the Street View & Map with your mouse, and double-click to zoom.
View Larger Map

Location: Chelsea Theatre, Kensington and Chelsea, London, England, United Kingdom. (51.481389°N 0.179722°W).
Phone: +44 20 7352 1967


Chelsea Theatre
Chelsea Theatre is a studio theatre located on the Kings Road in the Royal Borough of Kensington and Chelsea, London. It presents, commissions, and produces new work and is the only theatre in London dedicated to Live Art. The theatre also does work with the local community. Since 2006 Chelsea Theatre has presented the Sacred Festival, a programme of Live Art.

History of Chelsea Theatre:
The 2006/7 season, SACRED, consisted of new work commissioned by artists including: Goat Island (performance group), Ron Athey, Mem Morrison, Kazuko Hohki of Frank Chickens, Gary Carter and Third Angel. These artists mentored emerging theatre makers, including: Silke Mansholt, Dominic Johnson, Sheila Ghelani, Meline Danielewicz, Helena Hunter and Action Hero.

In 2007 Chelsea Theatre presented work from live artists including Roland Loomis and Annie Sprinkle.

In April and May 2008 Chelsea Theatre produced and presented a new season of contemporary performance, with works from Curious, Richard Dedomenici, Marcella Puppini of the Puppini Sisters, Lois Weaver, Dries Verhoeven, Gustavo Ciriaco & Andrea Sonnberger, Julia Bardsley, Yara El-Sherbini, Rajni Shah, Dr Roberts' Magic Bus (including Olivier Award winner Miss High Leg Kick, Breathe and Chris Dobrowolski), Ernst Fischer and Helen Spackman. There was also a complementary series of critical symposia curated by the Live Art Development Agency, Artsadmin and New Work Network.

In October and November 2008, Chelsea Theatre played host to a string of new performances from international performers, including Lone Twin Theatre, Andrew Poppy, Leibniz performance collective and the Croatian company BADco.

The SACRED season returned in October and November 2009, in collaboration with Thomas Frank and brut Wien, and supported by Arts Council England, The Austrian Federal Ministry for Education, Arts and Culture and the Austrian Cultural Forum. This season contained UK premieres of Central European performance by artists including Cezary Tomaszewski, Doris Uhlich, Jan Machacek, Thomas Desi's Operation Orlac (based on the classic silent film The Hands of Orlac), Oleg Soulimenko & Andrei Andrianov. These Central European artists were programmed alongside artists representing UK contemporary performance: 'The Divine' David Hoyle[1], Gob Squad, Helena Hunter, Paul Granjon, Stacy Makishi, Action Hero, Julia Bardsley & Andrew Poppy, Richard DeDomenici, Franko B and Curious. Alongside the performances were a series of workshops (led by Lone Twin, Bobby Baker, Franko B and Julia Bardsley & Andrew Poppy), lectures, an academic conference and community-led art events. For 2009, Chelsea Theatre also presented anarchic cabaret from such talents as: Frisky and Mannish, Frank Chickens, Bourgeois & Maurice and Miss High Leg Kick.

2010 saw an expansion to the season with a collaboration with artists from PS122 in New York. Chelsea hosted the UK premieres of Sara Juli's THE MONEY CONVERSATION, alongside Young Jean Lee's first play PULLMAN WA, and Richard Maxwell's ADS. Symposium contributors included PS122 Artistic Director Vallejo Gantner, Ontological Hysteric Theater's Richard Foreman and Professor Lois Weaver. UK artists represented in the season included newly commissioned work from UK artists Marisa Carnesky, David Hoyle and Robin Deacon. Early evening foyer performances came from seven early career artists including Hattie Prust and Gillie Kleiman.



West End theatre


Google Street View West End theatre

You can drag the map with your mouse, and double-click to zoom.


Type: Theatre
Location: West End theatre, City of Westminster, London, United Kingdom
Phone: +44 20 7492 9968

West End theatre:  

History of West End theatre:
.....Wikipedia >>








Novello Theatre


Google Street View Novello Theatre

You can drag the map with your mouse, and double-click to zoom.
View Larger Map

Address: Aldwych
City: Westminster, London
Country: UK
Coordinates: 51.512306°N 0.11925°W
Phon: +44 844 482 5170
Hours: Closed on Sunday
Opened: 22 May 1905

Novello Theatre, July 2007
Novello Theatre:  
The Novello Theatre is a West End theatre on Aldwych, in the City of Westminster.

History of Novello Theatre:
The theatre was built as one of a pair with the Aldwych Theatre on either side of the Waldorf Hotel, both being designed by W. G. R. Sprague. The theatre opened as the Waldorf Theatre on 22 May 1905, and was renamed the Strand Theatre, in 1909. It was again renamed as the Whitney Theatre, in 1911 before again becoming the Strand Theatre, in 1913. In 2005, the theatre was renamed by its owners (Delfont Mackintosh Theatres) the Novello Theatre in honour of Ivor Novello, who lived in a flat above the theatre from 1913 to 1951.
The black comedy Arsenic and Old Lace had a run of 1337 performances here in the 1940s, and Sailor, Beware! ran for 1231 performances from 1955. Stephen Sondheim's musical A Funny Thing Happened on the Way to the Forum opened here on the day of Kennedy's assassination, running for nearly two years. In 1971, the comedy No Sex Please, We're British opened here, remaining for over 10 years of its 16-year run until it transferred to the Garrick Theatre in 1982.
The theatre was extensively refurbished in 1930 and again in the early 1970s. It was Grade II listed by English Heritage on 20 July 1971.[1] After The Rat Pack: Live From Las Vegas in 2005, its 100th anniversary year, the theatre was extensively refurbished. The current seating capacity is 1,105.
The theatre reopened on 8 December 2005 with the Royal Shakespeare Company's annual London season, playing to 4-week runs of Twelfth Night, The Comedy of Errors, A Midsummer Night's Dream and As You Like It, concluding in March 2006.
In 2006, the theatre played host to the London première of the Broadway musical Footloose, starring Cheryl Baker. Ending on 11 November, Footloose made way for the Royal Shakespeare Company's return season for 2006-7, following which the Broadway musical The Drowsy Chaperone made its European première on 6 June 2007. The London production starred Elaine Paige, Bob Martin, Summer Strallen and John Partridge. The London production closed after a run of only two months on 4 August 2007 after failing to attract audiences, despite positive notices.
It was announced on 10 July 2007, just three days after the announcement of Drowsy's premature closure that the theatre would be the home of a new musical version of the MGM motion picture Desperately Seeking Susan with music by Blondie and Deborah Harry, directed by Angus Jackson, and starring Emma Williams and Kelly Price. The musical previewed on 16 October 2007 (originally 12 October 2007), receiving its world première on 15 November 2007. However, just two weeks after its opening, following a critical mauling, the show announced its final performance for 15 December 2007, having played just four weeks of previews and four weeks of open run, losing over £3.5 million.
A quick replacement came in the form of the cross-West End transfer of Shadowlands from the Wyndham's Theatre, commencing 21 December 2007 for a 12 week run to 25 February 2008. Producer Phil McIntyre opened ZooNation's adaptation of the musical Into the Woods, entitled Into the Hoods, on 26 March 2008.........Wikipedia >>








Gaiety Theatre


Google Street View Waldorf Gaiety Theatre

You can drag the map with your mouse, and double-click to zoom.
View Larger Map

The Gaiety Theatre
Address: Aldwych
City: Westminster, London
Coordinates: 51.513056°N 0.1175°W
Opened1864

Gaiety Theatre:  
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the
Strand. The theatre was first established as the Strand Musick Hall (sic) in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
Under the management of John Hollingshead until 1886, the theatre had early success with Robert the Devil, by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque Little Jack Sheppard (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, Dorothy, became a long-running hit. In the 1880s and 90s, the theatre had further success with a number of burlesques with original scores by the theatre's music director, Wilhelm Meyer Lutz, including Faust up to Date (1888), Carmen up to Data (1890) and Cinder Ellen up too Late (1891).

History of Gaiety Theatre:
In 1868, the theatre was sumptuously rebuilt by John Hollingshead as the Gaiety Theatre (announcing its dramatic policy in its name), on a nearby prominent site at the centre of the Aldwych, facing the eastern end of the Strand. It was designed by the theatre architect C. J. Phipps, who also designed the Gaiety Theatre (1871) in Dublin. restaurant operated in the building, and patrons could eat before seeing the show and then go directly to their seats without having to worry about the weather outside.
The Gaiety Theatre opened on 21 December 1868, with On the Cards and several companion pieces, including the successful Robert the Devil, by W. S. Gilbert, a burlesque of the opera Robert le Diable. The theatre was a venue primarily for burlesque, variety, continental operetta and light comedy under the management of John Hollingshead from 1868 to 1886, including several operettas by Jacques Offenbach and musical burlesques arranged by the theatre's music director, Wilhelm Meyer Lutz. Nellie Farren soon became the theatre's star "principal boy" in all the burlesques and played in other comedies. She and comic Fred Leslie starred at the theatre for over 20 years, with Edward Terry for much of that period. Her husband, Robert Soutar was an actor, stage manager and writer for the theatre. Gilbert also wrote An Old Score for the theatre in 1869. A typical evening at the Gaiety might include a three-act comic play, a dramatic interlude, a musical extravaganza, which might also include a ballet or pantomime (in the tradition of a Harlequinade). During such four hour long bills-of-fare, regular patrons might skip an item on the programme to eat in one of the theatre’s plush restaurants, play billiards in the on-site Billiard Room or drink in one of its several bars.......Wikipedia >>



Aldwych Theatre


Google Street View Aldwych Theatre

You can drag the map with your mouse, and double-click to zoom.
View Larger Map
Aldwych Theatre

Address: Aldwych
City: Westminster, London
Country: UK
Coordinates: 51.513306°N 0.117944°W
Phon: +44 844 847 1712
Opened: 1905
Capacity: 1,200


Aldwych Theatre:  
The Aldwych Theatre is a West End theatre, located in Aldwych in the City of Westminster. The theatre

was listed Grade II on 20 July 1971. Its seating capacity is 1,200 on three levels, a fairly large auditorium.

History of Aldwych Theatre:
The theatre was built as a pair with the Waldorf Theatre now known as the Novello Theatre, both being designed by W.G.R. Sprague. Funded by Seymour Hicks, in association with the American impresario Charles Frohman, and built by Walter Wallis of Balham. The ornate decorations were in the Georgian style. The theatre was constructed in the newly-built Aldwych.
Aldwych Theatre
The Aldwych theatre opened on 23 December 1905 with a production of Blue Bell, a new version of Hicks' popular pantomime Bluebell in Fairyland. In 1906, Hicks' The Beauty of Bath, followed in 1907 by The Gay Gordons, played at the theatre. In February 1913 the theatre was used by Serge Diaghilev and Vaslav Nijinsky for the first rehearsals of Le Sacre du Printemps before its première in Paris during May.[3] In 1920, Basil Rathbone played Major Wharton in The Unknown.
From 1923 to 1933, the theatre was the home of the series of twelve farces, known as The Aldwych farces, most of which were written by Ben Travers. Members of the regular company for these farces included Ralph Lynn, Tom Walls, Ethel Coleridge, Gordon James, Mary Brough, Winifred Shotter and Robertson Hare.[4] In 1933, Richard Tauber presented and starred in a new version of Das Dreimäderlhaus at the Aldwych under the title Lilac Time. From the mid-1930s until about 1960, the theatre was owned by the Abrahams family........Wikipedia >>